Agriculture is the Root of theTopsfield Fair

Local Fair Tops off Another Successful Year. By Kristen Micho

Despite the heavy rain fall this past week, the weekend sunshine brought America’s oldest agricultural fair to another successful season. The Topsfied Fair has been attracting Essex County locals and other surrounding New England residents since 1818.  Families and friends wait in hours of backed up traffic for parking all because of the excitement, food, and fun this fair breeds.

Like most fairs, you are able to find your cotton candy, fried dough, frozen lemonade, and all of the other favorite fair food vendors.  The Topsfield Fair is unique, as it brings in local businesses such as the delicious Captain Dusty’s ice cream from Beverly Farms and mouth watering Winfrey’s Fudge from Rowley.  Given that it is the fall season, most visitors come to enjoy the taste of fall.  A 31 year old Danver’s resident, Kelly Watts, has been coming to the Fair since she was 9 years old and never leaves without getting a fix of the apple crisp or the apple donuts.  “I try and bring someone new each year to the Fair” says Watts.  She wants people to get the same positive experience that she has gotten throughout the past 20 years.

The Topsfield Fair is well respected for the sole reason of why the Fair even began; agriculture.  Twenty-five local farms attend the Fair each year, growing an array of fruits and vegetables.  These local farms highlight the significance of building communities, how to better the environment, and most importantly they support the local families while investing in our future.  Commercial show chairman, Tony Forgetta, had a lot of positive knowledge and support around the large agricultural showcase.  Forgetta explains how the agriculture began as an entity for farmers years ago but they started to strictly compete against one another.  Now, it is not about the competition, it is about the education and promotion of the local farms.  Forgetta, who has been on the Board for 28 years, sincerely supports the local farmers and emphasizes that, “it is passionate people dealing with what they are passionate about.”

You can also find the eye catching 1,668 pound pumpkin display in the agricultural building, along with flower shows, poultry and dairy buildings, all revealing support for nearby farms while educating the thousands who come to the Fair.  In conjunction with the agriculture building, The Grange, is the Farmer’s Organization who has been showcasing agriculture for over 100 years.   Beverly, MA resident Joseph Johnston, has been part of The Grange for a stunning 25 years and expresses how “it is instrumental in a number of things, mostly supporting towns such as Rowley and other surrounding areas.”

It is hard to underestimate how much the Topsfield Fair has to offer.  The food, shows, displays, and the profound agriculture buildings bring together communities from the Northshore towns and other New England areas.  It is a lively, historic and eventful atmosphere and will continue on for many years to come.  It is not an event to miss out on because the Topsfield Fair has been a milestone for the Northshore and will continue to grow and educate all who come and enjoy.

 

The Salem Witch Project

A new web-based docudrama lifts the shroud on the Wiccan community’s mystique.

Danielle Young

Danielle Young dips her fingers in a small bowl of water and sprinkles it in a circle, cleansing the space around her. She raises a delicate wooden wand toward the heavens in four directions, calling on the guardians of the North, South, East, and West, as well as upon the ancestors and Mother Earth.

“Magic is about intent,” she says, clutching a white quartz crystal to her chest. “If you do not believe, it cannot occur.” As she intones during the ritual, Reverend Donald Lewis replies, his eyes closed. “So mote it be,” Young says.

“So mote it be,” Lewis repeats.

Although some of the elements of this Wiccan ritual seem a bit foreign, others are not: the holy water, the prayer, the call and response. The World of Witches Museum in Salem often conducts this type of educational ritual in its small—and public—Temple of Tituba, so visitors can see what they’re like.

“They can see there are no goats,” Lewis says, only half-joking. “They can see that there’s nothing particularly scary about it…They expect it to be really weird and strange, but they find
it’s really quite familiar.”

Visitors to Salem often only see the surface of the city’s Wiccan and pagan communities: the tarot readers, the magic shops, the occasional public ritual, and the often outsized personalities of witches who have been well-known public figures for years. But starting this fall, a new web-based docudrama will be lifting the curtain on Halloween. The Young Witches of Salem will follow a group of young people as they learn the ropes not only of their craft, but also of the business of being a witch in Salem.

“It’s not just learning about witchcraft—it’s focused a lot on that—but it’s also focused on learning about how to be marketable in this environment, from dance to simple stage magic to studying with a shamanic practitioner,” says the 24-year-old Young, one of the “young witches” who will be profiled on the show.

“There’s a lot of young people out there who are very interested in the subject, who are very entertained by the subject, but are getting a lot of [Buffy the Vampire Slayer] information, a lot of Charmed information,” says Ed Hubbard, the show’s executive producer. “We want to show what it’s like to be practicing. Everybody is fascinated with Salem as a witch Mecca. We want to show what it’s like to be actually in Salem, for good or for bad, [and] what it’s like behind those lines.”

Whereas Wicca is a religion, witchcraft is a set of skills. As with any discipline, these skills need to be learned and practiced, so audiences will see the young witches learning aspects of the craft from well-respected elders in the community. Even though the show will technically be unscripted, there are certain scheduled activities. For example, they’ll be learning about stage magic from magician Daniel Greenwolf, about shamanic practices from author and shaman Raven Kaldera, and about reading stones from Terry Milton. They’ll also be learning about mediumship, spirit messages, and pendulums, among other topics.

“I am not very experienced in any of the above; that’s why I am coming,” says Lexi Renee, an 18-year-old who left her home in South Carolina in August to come to Salem to participate in the show. “Being with like-minded people, getting away from the South for a while, and experiencing new things is the main goal.”

Katrina Kessler, a producer of "The Young Witches of Salem"

Producer Hubbard calls Renee the show’s “Dorothy.”  “She’s coming to see the wizard,” he says. “And she doesn’t want to just go home; she wants to become part of the Emerald City.”  Although some of Renee’s friends in South Carolina are interested in witchcraft, none of them are as passionate about it as she is. “It’s very hard to be a pagan around here. In the South, it hasn’t been as accepted as it has in the North,” she says. “You might get someone calling you a devil worshipper; you just smile and wave and walk away.”

Those involved with the show hope it will help to clear up such misconceptions. “This isn’t scary. This isn’t devil worship,” says Katrina Kessler, one of the show’s producers and the manager at the World of Witches Museum. Although Kessler is not technically one of the show’s “young witches,” the 22-year-old Swampscott resident is, in fact, a young witch herself and will appear on the show frequently.

Along with Kessler, many of the people who will appear on the show work at the World of Witches Museum, which presents information about the history of witchcraft and its modern-day practice. Kessler leads tours through the museum multiple times per day, and each tour ends the same way: “Step in front of this magic mirror and see what you’ll look like as a witch,” Kessler says, waving her arms in a grandiose flourish, and inviting tourists to get a glimpse of what they’d look like if they, too, were witches. People expect it to be a spooky mirror that casts a greenish tinge over their skin, but once they take a look, they erupt into relieved—or maybe embarrassed—laughter; it’s just an ordinary mirror hanging on the exit door.

“It gets every kid every time; and it gets about 50 percent of adults, too,” Kessler says. “We dispel a lot of negative stereotypes here.” But Kessler says the museum also helps kids talk with their parents about Wicca and paganism. “We actually have a lot of young people who have come through this museum and have quietly thanked me afterwards,” she says. They tell her, she says, “I’m pagan, and my mom doesn’t know yet, and this has been a really great eye opener for her. Thank you so much for breaking the ice.”

Over the years, it’s gotten easier for people to “come out” to their families as witches, an experience that’s dubbed “coming out of the broom closet.” But that’s not to say it’s exactly easy, even in places like Salem, where witches are celebrated all the time.

“It is very much a matter, for some people, of coming out of the closet, and often it does lead to a lot of strife” within families, says Lewis, who’s 48 years old and was actually raised as a witch—albeit very secretively—in a branch of the craft called the Correllian Nativist Tradition, founded by one of his ancestors. “I’ve known people in their 50s who were afraid to tell their parents that they’d taken up Wicca.”

Although Danielle Young was born and raised in Salem, she has not always been a witch. “My family likes to pretend that I’m still a good little Jewish girl most of the time, but they occasionally do recognize that I am of a different faith,” she says. “They’re generally neutral; not quite supportive, but not ready to throw me out of the house over it.”

Katrina Kessler still remembers the day she broke the news to her Roman Catholic parents. It was Easter morning, and she was 13 years old when she told them that she could no longer take the Eucharist.

“I felt really bad lying in front of my family and in front of the God that they believed in,” she remembers. Her parents took the news very well, but had one caveat: “They said, ‘That’s fine, we totally respect that, and you can do whatever you want…just don’t tell your grandma.’”

Like Lewis, Lexi Renee’s history with witchcraft goes back several generations; her grandmother was from a pagan family who traveled with the circus.

Reverend Donald Lewis

“In my family, the craft was a love-hate relationship. It was talked down and against in public, but in the closet, it flourished,” she says, adding that her grandmother seemed to be afraid of the craft and spoke against it to her own children. “But of course, they picked it up, and then I picked it up,” Renee says. “So it’s just something that’s been going down the line, but very hush-hush.”

Although the Harry Potter books and movies and TV shows like Charmed aren’t exactly accurate depictions of real-life witchcraft, they are positive portrayals of it and have helped make witchcraft more accepted. But perhaps the most powerful tool for young witches is the Internet, which not only provides information about witchcraft, but helps them to connect with other practitioners.

“You actually see a lot more communities online because we are an online generation,” Kessler says. “We can do rituals together because we have the Internet.”

In fact, The Young Witches of Salem, which will be broadcast online by ClickVision TV, is just the latest online venture between Lewis and Hubbard. Together, the two also operate WitchSchool.com, an online educational network that boasts thousands of students from around the world. WitchSchool.com also produces the YouTube channel Magick TV, which features interviews with prominent pagans and coverage of pagan events. And broadcasting The Young Witches of Salem online will reach a broad audience with a message that witches are just like everyone else.

“Yes, Virginia, there is a Harry Potter,” Young says. “And he happens to be your next-door neighbor.”

UK Based Band, Abandon, Picks North Shore to Record

A UK band heads to On the Fringe Studio in West Newbury to record a rock album and stage dive into American music culture.

For the past two weeks the five members of the UK rock band, Abandon, have called On the Fringe Studio in West Newbury their home. Joe Cannatelli, who is working with the guys on their album, came across the band while in the UK a few months back. Impressed by their talent, Cannatelli invited the band back to the US to record in the full service, 3,000 square-foot private facility on the North Shore. All five band members jumped at the opportunity to get a taste of the American music culture. Band mates Dean, Tom, Jason, Mitchell, and James weigh in on their experience with American music fans and why they’ll be back to the US for more.

 

How did you all meet? A few of us met at music college, but we’re all from around the same area near Nottingham, England. We all sort of knew each other and when Dean decided to form the band in 2007, the rest of us willingly came on board. I guess you could say we’ve been rockin’ and rollin’ ever since.

Dean, why did you decide to form Abandon in 2007? I’ve wanted to be in a rock band since seeing Def Leppard in concert when I was 18. I’m the oldest in the band, and I just never got the opportunity to be a part of something like this until meeting these absolutely talented musicians about four years ago. It’s been a dream come true for me.

Being from the UK, why did you travel to West Newbury to record this album? Joe Cannatelli is a friend who was in the UK organizing shows for business. We got to know that he had a place out here and we were really impressed by it. It’s a brilliant place, and we saw it as an opportunity for a holiday as well.

How have you enjoyed your time at On the Fringe Studio? We haven’t been let down. It has been absolutely wonderful, but there are days when you’re playing for six or seven hours straight and it can be a bit tiring. But, this was also our first time in a proper studio. We’ve been in studios before, but nothing quite this serious.

Has being in the US influenced your music at all? It’s a good experience playing in front of American people. The American audience is very different; we realized how tough it is. They’re good but they don’t really show much emotion until after the show.

How is the American audience different from the audience you’re used to back in the UK? In the UK, we’re used to playing a show and having the attention of the audience, then afterwards they’ll sort of mill around you. Where as here, it’s almost the exact opposite. The American audience will give you a bit of appreciation, but then afterward they’ll make a point to come and say that was really good, or that was terrible. I think the music is more serious here. Where we’re from there is one music shop, and here, there are music venues and shops everywhere. It’s just bigger and better in the US; I think the UK could learn a thing or two.

Are you planning to come back here in the future to record another album or play any gigs? We would love to. It would be brilliant. We’ll start saving our pennies as soon as we get back, if just for the hospitality if anything else.

What’s next for the band? Sleep! No, we’ve got a busy schedule when we get back, playing gigs and playing at a few new places. But, just to say that we’ve been to the States and we’ve got an album is the main thing to promote

If you could have done anything different while you were here, what would you have done? Bring another towel and more socks! I think we would have all liked to bring our own instruments with us. But we wouldn’t have hoped for anything different. We have been overwhelmed by the hospitality here; No matter how many times you say thank you, it’s never enough.

 www.abandonofficial.co.uk

 

 

SUP East Coast Style is Racing in the 4th Annual Cape Cod Bay Challange

PictureThe Cape Cod Bay Challenge provides an extraordinary opportunity to help Christopher’s Haven – a wonderful child-focused local charity that benefits kids from around the country and the world.For 2011 we take the landing to Wellfleet. This will make it a bit more challenging than previous years, increasing the distance by 4 miles but the extra distance will be well worth it. It’s going to be an awesome spot for a party. We land at Mayo beach and the party is across the street under the big tent.

We’ll have sponsor booths, gear demos, great music, food and the all important Wachusett brews to help recharge after the long day on the water. Of course we’ll have great gear and such to raffle and auction. A 14′ Naish Glide, Kialoa paddles, Maui Jims, Tevas, A custom board from Vec and Twin Lights Glassing, awesome surf art and much more.

SUP East Coast Style founders Leah and Christos have teamed up with Matt and Rebekah to enter the Cape Cod Bay Challenge. Our team goal is to donate at least $2600 to Christopher’s Haven. Each team member needs to raise at least $650.

Christopher’s Haven is a non-profit that provides housing for families who bring their child to Boston’s MassGeneral Hospital for Children for cancer treatment. Christopher’s Haven is located at One Emerson Place, adjacent to the hospital, where seven large and completely furnished apartments and a community space are available to families who travel from out of state or outside the country for daily outpatient treatments. A typical stay is 6-8 weeks.

Christopher’s Haven was founded in 2001 by Dan Olsen, a Boston-based actor, singer & songwriter who is also a three time cancer survivor. After surviving his third bout with the disease, Dan committed himself to doing something to help families like those he’d met. He envisioned a haven for young cancer patients and their families — a place that would free them from concerns about lodging and allow them to focus on their child’s treatment and recovery.

Now, Christopher’s Haven has become more than lodging. It is, as the tagline says,” a home for kids when cancer hits home.”

The new water sport Stand Up Paddling has its roots in surfing and is based on a long history in the USA/Hawaii. History hints at the possibility of ancient pacific islanders using boards to move on water and to glide on waves. SUP could be viewed as an early conjunction of the traditional Polynesian disciplines canoeing and surfing. In the 60′s Stand Up Paddling became popular for the first time. It all started in Hawaii with the beach boys, who paddled their big boards to the open sea in order to watch and instruct their students properly – hence the name “Beach Boy Surfing” which is used equally to “Stand Up Paddling”.

With the invention of lightweight shortboards into the surfing scene, SUP felt a bit into oblivion. It was first and foremost Robby Naish, who rediscovered Stand Up Paddling. SUP is now a fast growing trend in the water sport scene. The SUP rider moves directly into the wave or current by standing upright on a surfboard. SUP boards are expanded to provide stability. Your paddle offers more stability on top.

SUP is easy to learn — an oversized surf board and a paddle are all you need!

For more information and to donate go here: capecodbaychallenge.weebly.com/

“Golfers for Vision” Tournament

Ferncroft Country Club, Middleton MA – 12:15 Registration, 1:30 Tee Time

$1,000.00 per foursome includes: 18 holes of golf at The Ferncroft, a gift, full course dinner, silent auction and awards.

$1,100.00 per foursome includes: a hole sponsorship, 18 holes of golf at The Ferncroft, a gift, full course dinner, silent auction and awards.

Non golfers are welcome to join us for dinner, silent auction and awards for $50.00

Payments due no later than August 30th 2011. Please make checks payable to: Golfers for Vision and mail to 5 Country Club Lane, Middleton, MA 01949

Our Goals For The Future And How We Will Make A Difference. Our goal is to find a cure for all causes of blindness and restore independence to those impacted. It will take significant research and time to accomplish this goal. Your support will provide funding for the research teams that work diligently to improve the lives of blind people and ultimately prevent blindness. Together We Can Help The Lives Of Many People. All proceeds for this Golfers for Vision event will go to Mass. Eye and Ear and will help its patients achieve the goal of improved quality-of-life. Every person who helps, in whatever way they are able, will help blind patients live more full, more productive and more independent lives.

Visit GolfersForVision.com for more details

School of Rock

Think learning to play an instrument is mere child’s play? Think again. By Bryan McGonigle

Jennifer and Steve Spungin of Salem School of Music

Where a carpet business once stood on Pleasant Street in Salem, the walls are now filled with music. Steve and Jennifer Spungin celebrated the opening of the Salem School of Music in May with a day-long extravaganza and high hopes.

“It went great; it was a pleasant surprise, even with the rain,” Jennifer says. Some people who attended hung out for hours—enjoying vaudeville-style guitar machine entertainment from musician Erik Royer and other fun activities—and several people registered for classes on the spot. “It really validated our thought that this will be a great hangout.”

The Salem school is an expansion of sorts. The Spungins own and operate the Marblehead School of Music, which they opened in 2007. Steve was a professional musician and gave lessons out of their home to supplement their income, and Jennifer was a teacher in Boston for several years who had created a drop-out prevention program for the schools. The pair decided the logical thing to do would be to combine their specialties and teach people how to rock out on the North Shore.

“I was in between tours and giving private lessons at the house, and the kids were filling up the house,” Steve says. “We wanted to be more local, and it became inconvenient to be teaching out of our home.” The school also provided an opportunity for other professional musicians to teach, Steve adds, because many musicians in bands have to work regular jobs and only play music on the weekends. “We had no idea what the demand in Marblehead would be,” Jennifer says. “It grew rapidly and filled a niche we didn’t expect.”

The Spungins credit the success of their Marblehead school—and their optimism about their new Salem school—to their out-of-the-box approach to teaching music. “We’re really trying to find top-notch musicians, but [they] also have to be able to teach, and that’s a whole different set of skills,” Jennifer explains. The teachers each have their own style, and the Spungins have a conference for each student where they figure out which teacher would best match that student, a strategy that the Spungins say works great for everyone.

The Marblehead School of Music currently has about 200 students and gives about 200 lessons a week. During the summer, there aren’t as many private lessons, but there are special programs including a music camp, a week-long intensive program where students work on a specific project.

“We try not to be a typical music school, a place where parents just drop their kids off to take lessons,” Steve says. The school offers specialized programs for kids ages two to five, using music-related games and stressing the value of practice and parental involvement. The school’s “Little Drummer” program for young children helps them to transition into comprehensive lessons. With older kids, the school stresses musical writing to teach them a language to go along with talent development and also uses group workshops to foster the kids’ sense of musical collaboration.

The Spungins also rent Abbott Hall in Marblehead for performances. “We try to get [the kids] to play music with each other, and it’s very social,” says Steve. “It’s basically a party where kids play music.” The couple also purchased the Salem building with that idea of collaboration and social music in mind. The building has several recording rooms where students can work together on everything from practicing to recording. “That’s one of the reasons this space was great for us,” Jennifer says of the Salem school building, sitting with her husband on the sofa in the school’s lobby. “It allows for more community activities. The school in Marblehead is great for private lessons, but this allows for Friday night jam sessions.”

The Marblehead school attracts students from all over the North Shore. Twenty percent of the school’s clientele comes from outside of Marblehead. The Spungins are hoping that the new Salem school will not only attract new business but will also be more convenient for current students who live closer to the Salem location.

Susan Weinstein of Marblehead has two sons who are enrolled in the Marblehead School of Music. Tali, who is 12, is learning the drums, and Noah, who is 8, is learning the electric guitar. With her children involved in several extracurricular activities, Weinstein says studying music is a daily challenge. But Tali and Noah stay focused and practice regularly, and she has noticed a lot of progress in their music, which she says is a result of the school making the lessons fun and engaging.

“I think that they’ve learned to love playing because they take lessons from guys who are extremely supportive and encouraging and are wonderful teachers,” Weinstein says. She adds that the school has been extremely accommodating to her children’s schedules and goals, and the teachers focus on her kids as individuals. “Steve and Jen have these great teachers,“ Weinstein says. “They’re kid-friendly, with a nice balance of being supportive and encouraging yet requiring kids to learn techniques.”

In today’s tough economy with family budgets tightening, music schools are becoming an affordable source of recreation and enrichment, and enrollment is up. “A few years ago when recession hit, I noticed an increase in music lessons, especially in the summer” says Tom Moore, who owns The Fabulous School of Music in downtown Beverly. “Nobody wanted to go on vacation or spend a lot of money. There’s been a huge enrollment of adults. They’re entertaining themselves as opposed to going out to be entertained.”

The Fabulous School of Music currently has more than 200 students and 16 teachers, and much of the time their studios are filled. Moore has added ensembles to the school’s schedule, including a “rock school” that teaches kids to play rock music and allows them to perform on weekend afternoons at the Pickled Onion. Moore says the kids have been attracting large audiences.

Moore credits his aggressive online promotion strategy with the school’s rising success. In addition to focusing advertising online, the school is active on Facebook and Twitter and has an interactive website where students can become members and comment on blogs.

Farther up the shore, Donna Cannatelli co-owns the West Newbury School of Music with her husband Joe. They opened the school in 2005 when Joe, who owned a recording studio, wanted to teach music and not simply record it. Today, the school has 12 teachers. Donna, whose background is in accounting, handles the books. Business has been great, Donna says. Their schedule is often booked solid from the time kids get out of school to the time they close.

Like the Spungins’ schools, the Cannatellis’ school promotes social learning. “Every parent has not only said to me that their child practices more, [but also] they see an advancement,” Donna says. “We treat them like rock stars; we let them use the studio equipment if they want to. They just thrive on it.” The Cannatellis have made music an inclusive family business. Their 29-year-old daughter Danielle works at the front desk, and their three-year-old daughter Angela studies theory and plays four different instruments.

The West Newbury School charges per week so that parents can make sure their kids like the music lessons before making a commitment. Lessons are $25 per half-hour lesson, and there are no administrative costs. Also, students are not charged for lessons they miss. And like the Salem and Marblehead schools, the West Newbury school offers summer sessions and week-long camps for the kids. Students study their music in groups and get to pick a name for their band, then design an album cover and t-shirts. In October, the students perform at the town’s Apple Harvest Road Race.

Summer group participation costs between $150 and $200, consisting of either eight one-hour sessions or a solid week from 9am to 2pm. Cannatelli says it fosters advancement at a time when many kids who participate in band during the school year aren’t practicing. “Summer comes, [and students stop playing] altogether and put their instrument in the closet and have to relearn everything,” Cannatelli says.

But it’s not just the kids who are learning how to rock. A growing number of music school students are adults, many of whom are doctors and lawyers looking to develop or hone their inner musician. “I find that the adults understand and appreciate the instructors’ time and really put a lot into it,” Cannatelli says. “Kids do pick up faster but sometimes tend to take their lessons for granted, but adults are fabulous.”

Judith Thompson of Essex is not someone you would normally think of when talking about music lessons. She is 70 years old and attends Marblehead School of Music, taking piano lessons. Thompson studied piano as a child and has played it as a hobby since, but she lives by the idea that it’s never too late to learn new skills.

Thompson knew how to play classical music, but she wanted to learn jazz. So she went to the Marblehead School of Music two years ago and has been honing old skills and learning new ones since. “It was kind of like riding a bike,” Thompson says of picking up piano lessons again after decades. “It wasn’t that I hadn’t played. I had always played but wasn’t a serious musician. It was mostly for entertainment, and once in a while I would play for children’s choirs.”

Thompson told her instructor Ken that she wanted to be able to play piano by ear but didn’t think she would be able to. Ken told her she can learn that skill and made sure she did. And she says he pushes her just enough to keep her moving forward. “I like the fact that he challenges me to do something I’ve not done before,” Thompson says. “When I first started with him, I played ‘Moonlight Sonata,’ which I’ve played many times. He asked me what I wanted from lessons, and I said I really wanted to learn something new. That’s when he started me thinking about jazz and learning new rhythms.”

Thompson would like to take her new skills and play for audiences more, perhaps in a volunteer capacity. She is a retired nurse executive and spent much of her career in elder services, and she already volunteers as a driver for North Shore Elder Services. She would love to put her new musical skills to use playing for elderly people. “No matter what kind of music you play or what instrument you play, it’s a great way to entertain yourself, and it’s always something I’ve turned to when I’ve felt bad and when I’ve felt good,” Thompson says, adding that her husband and children have been very supportive of her new musical journey. Her biggest fan is perhaps her 93-year-old mother, who Thompson said is thrilled that she has reignited her passion for music.

But whether it’s a 70-year-old woman learning to play to the piano or a three-year-old studying music theory, it’s clear that music instruction is one subject that appears to have no age limit. And with plenty of schooling options on the North Shore, residents around these parts should have no excuse for saying “I wish I had learned to play an instrument.”

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